— click here to download Ashley’s resume PDF — | |||
Professional Experience | |||
VP Creative Operations | Veyl Ventures | 2020-current | |
Creative Director | United Naturals | 2019-2020 | |
Executive Producer | Accident Murder Suicide – 2h Special | Oxygen | 2018-2019 |
Executive Producer | UnMasked – 3 Episodes | Discovery ID | 2018 |
VP True Crime Dev. | Intuitive Entertainment | Various Networks | 2017-2018 |
Executive Producer | Married With Secrets II – 10 Episodes | Discovery ID | 2017 |
Executive Producer | Married With Secrets I – 8 Episodes | Discovery ID | 2016 |
Executive Producer | Death By Gossip – 8 Episodes | Discovery ID | 2014-2015 |
Executive Producer | Swamp Murders II – 10 Episodes | Discovery ID | 2013-2014 |
Co-executive Producer | Swamp Murders – 8 Episodes | Discovery ID | 2012-2013 |
Supervising Producer | SoCal Connected – 14 Episodes | KCET | 2011 |
Executive Producer | Prison Diaries – 6 Episodes | TLC | 2010-2011 |
Co-Executive Producer | Women Behind Bars III – 12 Episodes | WE tv | 2009-2010 |
Supervising Producer | Women Behind Bars I-II – 18 Episodes | WE tv | 2007-2009 |
Supervising Producer | Women On Death Row III/IV – 2 Episodes | WE tv | 2007-2009 |
Producer/Writer | E! True Hollywood Story – 7 Episodes | E! | 2005-2007 |
Co-Producer | True Story of Black Hawk Down – 2 hr | History | 2001-2002 |
Skills | |||
Positive Management: Up and Down | |||
Building teams: 10,000 plus of hours of production | |||
Scripting, Overseeing editing, Development | |||
Honors and Activities | |||
LA Emmy Best Hard News Invest/Reporting: So Cal Connected Show Me the Money | 2012 | ||
3 LA Press Club Awards – So Cal Connected | 2012 | ||
Telly Award Winner: True Hollywood Story: Oprah Winfrey | 2006 | ||
Prism Award Nominee: True Hollywood Story: Drew Barrymore | 2005 | ||
Education | |||
University of Southern California – Annenberg School of Communication Master’s Degree – Broadcast Journalism |
2000 | ||
Bucknell University, Lewisburg Pennsylvania Bachelor of Arts – Political Science, French and Women’s Studies |
1995 |